MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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An opportunistic misinterpretation of Brecht’s intentions
ANGUS REID challenges a narrative that has no interest in reality or politics and uses Brecht to side with the cultural right wing, the partisans of Greek ethnic superiority
Graves of the children of the Karabudak family murdered in the Maratha massacre described by the UN as a crime against humanity. The perpetrators were EOKA-B an ultra right-wing Greek Cypriot paramilitaries led by Georgios Grivas
[Seksen iki yuz kirk bes/Creative Commons] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Heinz-Uwe Haus and theatre making in Cyprus and Greece
Edited by Heinz-Uwe Haus and Daniel Meyer-Dinkgrafe
Cambridge Scholars Publishing £68.99
HEINZ-UWE HAUS is the East German theatre director credited with kick-starting the National Theatre of Cyprus through a series of popular productions of Brecht and ancient Greek classics in the mid-70s.
It is a poisoned legacy.
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ANGUS REID calls for artists and curators to play their part with political and historical responsibility
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