Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
 
			Freud’s Last Session
King’s Head Theatre
 
CS LEWIS’S 1933 novel The Pilgrim’s Regress featured a character called Sigismund Enlightenment who is referred to as a “vain and ignorant old man.” It was a barely veiled swipe at the psychoanalyst Sigismund Freud whose almost total disregard for religion rubbed the recently converted author up the wrong way.
Perhaps fortunately the two never met, but their ideas have been brought together frequently, most notably in Armand Nicholi’s book A Question of God which provided the inspiration for Mark St Germain’s 2011 play.
It is September 1 1939 and Lewis (Sean Browne) has made the train journey from Oxford, against the traffic of those leaving London with war looming, to visit the ageing Freud (Simon Bird) in his Hampstead living room. The conversation quickly turns to God. Freud cannot fathom why someone as educated as Lewis “can abandon truth and embrace an insidious lie” in the form of Christianity.
 
               JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
 
               PAUL DONOVAN relishes a fascinating exploration of the leading lights of the Labour right in the 1970s
![CS Lewis in 1947 [Pic: Scan of photograph by Arthur Strong]]( https://dev.morningstaronline.co.uk/sites/default/files/styles/low_resolution/public/2025-04/Untitled-1.jpg.webp?itok=RsbHM2ER) 
               After a ruinous run at Tolkien, the streaming platforms are moving on to Narnia — a naff mix of religious allegory, colonial attitudes, and thinly veiled prejudices that is beyond rescuing, writes STEPHEN ARNELL
 
               
 
               

