Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Towering Rylance at the heart of Dr Semmelweis
SIMON PARSONS recommends a production about a pioneering 19th-century Hungarian doctor that reverberates with contemporary relevance
A string quartet and dancers representing the lost women troubling Semmelweis's thoughts, haunt both the stage and the auditorium
[Geraint Lewis]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Dr Semmelweis
Bristol Old Vic
THE prescient seeds for this thought-provoking and stylish production were sown before the Covid pandemic started and its development has been shaped by the collaborative response enforced by the ensuing restrictions.
Mark Rylance and Stephen Brown have resurrected the largely unknown life of a 19th-century Hungarian doctor who was a pioneer of antiseptic procedures and became known as the saviour of mothers.
Working in the Vienna General Hospital, Ignaz Semmelweis realised that the increasing number of deaths in the maternity ward were related to doctors moving directly from autopsies to obstetrics carrying infections with them.
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