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A production doomed by lack of discernible purpose
A fantastical idea pushed way too far: (L to R) Ria Zmitrowicz, Rakie Ayola, Fisayo Akinade [Manuel Harlan]

The Glow
The Royal Court

BASED on a premise originating in a little known book by Jessica Waites entitled The Woman in Time, the play attempts to personify an immortal female spirit erratically observed on our shores throughout history.

Usually bathed in a glowing light, her questionable presence in paintings, poems and written accounts was originally explained as a symbol or gauge of the time.

Alistair McDowall has turned this allegorical figure into a flesh and blood, supernatural agent unable to control her full powers. If this sounds a bit like another figure from one of the superhero franchises, you are not far off the mark.

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