MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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‘Throwing shade’ on Gandhi
MAYER WAKEFIELD recommends a play which asks who is allowed to be radical and what does radicalisation really mean in a world overflowing with injustice?
POLAR OPPOSITES: Safiyya Ingar and Anoushka Chadha
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Two Billion Beats
Orange Tree Theatre
WHEN the only two items in the programme are biographies of BR Ambedkar and Sylvia Pankhurst, you know you are in for a production packed with revolutionary fervour and Two Billion Beats delivers in compassionate, understated fashion.
Asha (Safiyya Ingar) and her younger sister, Bettina (Anoushka Chadha), are polar opposites. While the fiery sixth former Asha is fuelled by ideas and dreaming of studying at SOAS, her sibling is the embodiment of adolescent vulnerability and saving up her lunch money to buy a hamster.
They struggle to connect as the single-minded Asha would rather keep her nose tucked inside the works of Arundhati Roy than placate the needy overtures of her admiring little sister.
Writing her latest essay, Asha has immersed herself in the struggle for Indian liberation and the life of Ambedkar, including his many battles with Gandhi. Ingar brings their 1936 “boxing match” over the issue of caste to life, springing around the stage with jabs and uppercuts abounding.
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