ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Latest editorial
The electronic music fest returns with abundant and gripping surprises
DAZZLING: Caterina Barbieri and friends
[Neil Gardner]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
Re-Textured
Southbank’s Queen Elizabeth Hall and Printworks, London
LONDON’S electronic music festival set in brutalist buildings around the capital got off to a grand start on its launch in 2019.
Finally returning after a two-year pandemic-influenced delay, the festival has been pared back somewhat to just three events, but its vision to showcase some of the most unique experimental electronic artists out there is still very much intact.
Similar stories
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
WILL STONE relishes the chance to hear the Isle of Wight indie sensation in an intimate setting
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
New releases from Nazar, Peter Gregson and Mesias Maiguashca