Mask-off outbursts by Maga insiders and most strikingly, the destruction and reconstruction of the presidential seat, with a huge new $300m ballroom, means Trump isn’t planning to leave the White House when his term ends, writes LINDA PENTZ GUNTER
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‘Here I am, whether you like it or not!’
Louise Raw talks to grime legend and ‘mistress of clashing’ LADY SHOCKER about her east London roots, the energy of the youth circuit and the challenges of being a woman in a male-led industry
BEN CHACKO speaks with Knesset member OFER CASSIF about rising political violence, the prospects for peace and his continuous ‘silencing by suspension’
The City is leaning on Rachel Reeves to cut welfare spending — when what’s needed is cuts to all the benefits given to the mega rich, corporations and banks to help them not pay or blatantly dodge their fair share of tax, explains BERNIE EVANS
The choice between two Blairites to revamp the tepid centrism of our ruling party doesn’t even come as cold comfort as we wander the city streets suffering from their third decade of austerity and the fifth of wage stagnation, writes MATT KERR
ANN HENDERSON looks at the trailblazers of the Women’s Trade Union League and their successful fight for female factory inspectors — a battle that echoes in today’s workplace campaigns
HENRY FOWLER puts the strike of public-sector workers in New Zealand in the wider context of deteriorating employment conditions throughout the world’s major economies
MAT COWARD looks back at a protest 105 years ago this month, whose reporting by the media bears uncomfortable similarities with demos today
LIKE grime music itself, Lady Shocker was born and bred in Bow.
Writing her first lyrics as a schoolgirl and hanging out with renowned Grime MCs like Wiley and God’s Gift, “Shocks” went on to form Female Allstars (FA), grime’s first all-woman “crew.”
Grime was no record company invention, but a real working-class movement “from the streets,” as Shocks puts it.
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