MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
Latest editorial
A painfully beautiful vision without illusions
ANGUS REID ponders the psychology behind the arresting canvases of the working class painter Maurice Wade
Tileries at Westport
[Trent Art] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Maurice Wade: Silent Landscapes
The Andy McCluskey Collection
Trent Art, Newcastle
TWENTY-FIVE years before Morrissey, Maurice Wade contemplated the urban cityscape of Stoke on Trent as though every day were like Sunday.
These paintings, “silent and grey,” are the visual midwife of Morrissey’s reactionary miserablism. They render the city as though it were made entirely of ash, and entirely devoid of people. They are painfully beautiful.
More from this author
ANGUS REID questions whether a human scriptwriter is behind the multiple plagiarisms of Disney’s much-lauded and vacuous extension of the Alien franchise
ANGUS REID applauds the ambitious occupation of a vast abandoned paper factory by artists mindful of the departed workforce
ANGUS REID calls for artists and curators to play their part with political and historical responsibility
ANGUS REID recommends a landmark work of aural history that follows the intertwined lives of four International Brigaders
