GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Brighton revolutionaries seize the day
JOE GILL is hooked by an urgent imagined rehearsal of what attempting to overthrow capitalism might look like
Fyodor Dostoevsky by Vasily Perov, 1872
[Background pic DreamThinkSpeak]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Unchain Me
DreamThinkSpeak
Brighton Festival
IF REVOLUTION in 2022 is anything like dreamthinkspeak’s Unchain Me, it will involve technical hiccups with tablets, waiting in the rain, and lots of flights of stairs.
In an immersive, intense plunge into a clandestine struggle against the powers that be in Brighton and Britain, groups of audience members are invited to join “the campaign” and to help overthrow the system.
Based loosely on Dostoevsky’s The Devils, the piece by Tristan Sharps (who is also Brighton Festival co-director this year) is an urgent imagined rehearsal of what attempting to overthrow capitalism might look like.
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