GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
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MARIA DUARTE recommends a harrowing film exploring the traumatic world of forced adoptions
Lucia Moniz and Maisie Sly in Listen
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
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Directed by Ana Rocha de Sousa
ACTOR-turned-filmmaker Ana Rocha de Sousa shines a much-needed light on the practice of forced adoption in Britain in her powerful debut feature about an immigrant Portuguese couple’s tireless battle against the law to keep their three children.
Living on the outskirts of London, cleaner Bela (Lucia Moniz from Love Actually) and her husband — who’s on a zero-hours contract — Jota (Ruben Garcia) are struggling to make ends meet when their kids are taken away by social workers, who fear their seven-year-old deaf daughter Lu (Maisie Sly, star of the Oscar-winning short The Silent Child) is being physically abused by her parents.
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