Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
An intentionally amateurish quality provides the winning charm
Stuffed with Xmas cracker style gags
[Mark Dawson Photography]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Treasure Island
Bristol Old Vic
LE NAVET BETE’S recycled pantomime of Robert Louis Stevenson’s classic pirate tale is a welcome addition to family entertainment at the start of the long summer holidays.
Stuffed with Xmas cracker-style gags, double entendre for adults, an ugly sister-style dame and pop culture references, this starts out as typical pantomime fare but transmutes into something more akin to the National Theatre of Brent’s comically irreverent productions.
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SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes