MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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‘They were the heart of an entire nation of musicians’
CHRIS SEARLE speaks with Hazel Miller, founder of Ogun Records
Members of the legendary Blue Notes sextet, trumpeter and flautist Mongezi Feza and saxophone maestro Dudu Pukwana jamming in a basement club in Hillbrow, a district of Johannesburg, 1962
[Jurgen Schadeberg/Unesco] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
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WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
IT'S a significant jazz moment: the re-issue of four powerful, vibrant and deeply moving albums on Ogun Records of the Blue Notes, the South African band which fomented so much dynamism and change in British jazz when they released themselves from apartheid and arrived in London after playing at the 1964 Antibes Jazz Festival.
Their first appearance in 1965 at Ronnie Scott’s Old Place in Soho’s Gerrard Street introduced astonishing new sounds, new beats, new inspiration, new musical resistance and the inspiration of direct African artistry into the British jazz scene.
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