To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Crime Fiction with Mat Coward: October 2, 2022
New titles from Ace Atkins, TM Logan, Chris Nickson and Helen Monks Takhar
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
THE HEATHENS by Ace Atkins (Corsair, £9.99) is the latest in the series about Sheriff Quinn Colson, whose bailiwick is a rural county in Mississippi. When a local white women is murdered, opinion in town is that her rumbustious teenage daughter did it, possibly in cahoots with her boyfriend, who is not only a petty villain, but black as well.
The young couple go on the lam in a series of stolen cars, leaving the sheriff, who’s pretty sure they’re not guilty, to catch them before they manage to get themselves killed.
Brutal, shocking, suspenseful and funny, there’s always a whiff of the freak show about these books, with almost every character being a grotesque or an eccentric, living in a land that seems to be 200 years behind the rest of the world.
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