Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Requiem for Dublin street traders
EXISTENTIAL THREAT: The closing of marketplaces and the eradication of traditional street traders
[Pic: D Speirs/On and Alive Alive O]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
OVER the years the Irish Cultural Centre in Hammersmith has presented many films by Ireland’s celebrated, documentary filmmaker Se Merry Doyle.
In this double bill Looking On and Alive Alive O – A Requiem for Dublin it is showing two of his most powerful films, which complement each other. Both focus on the destruction of Dublin’s inner city and the demolition of hundreds of homes and tenement dwellings.
Looking On was Merry Doyle’s first film, made in 1982. Forty years later it still stands as a vital voice for the people of Dublin.
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