GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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[Townsend Productions]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
The Ragged Trousered Philanthropists
Townsend Productions,
Old Fire Station, Oxford
Townsend Productions have made a well-earned name for themselves as purveyors of working-class history of the finest calibre. Their previous work has dramatised some of the most important moments in British labour history, including the Tolpuddle martyrs, Red Clydeside and the Grunwick strike.
Indeed, tonight’s performance (a one man show performed by Neil Gore) is something of an anomaly in that it is based on a novel rather than a true story.
The original story follows a group of painters and decorators in the fictional town of Mugsborough, selflessly dedicating their lives to the enrichment of their employer, Mr Rushton.
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