GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Drive Your Plow Over The Bones Of The Dead
Barbican Theatre, London
THE highly anticipated new production by renowned theatre group Complicite had a rather unfortunate false start when its press night was cancelled at the eleventh hour after lead actor Kathryn Hunter came down with a sudden illness.
Since then, Amanda Hadingue has dauntlessly stepped into what proves to be quite the Herculean role for most of the short two-week run at the Barbican... but not tonight.
The diminutive grey-haired Hunter ambles out, in character, rasping and coughing into a central mic: “Just a touch of Covid!” she jests, although the irony isn’t lost.
PETER MASON is gripped by a novel that confronts corporate callousness with those prepared to act to bring about change
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution



