ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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The aftermath of revolution
MAYER WAKEFIELD falls in love with a deft and hilarious portrait of Cairo after the Arab Spring
Front: Tarrick Benham as Osman. Back (L-R) Nezar Alderazi as Rafik, Hanna Khogali as Alia, Moe Bar-El as Tamer, Eleanor Nawal as Lina, Yasemin Özdemir as Maya
[Pamela Raith]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
You Bury Me
Orange Tree Theatre
“THIS story isn’t even about 2011.
This story isn’t about that… dream.
This is a story about death.
The death of that dream.
This is about 2015”
The city of Cairo is not just the setting for You Bury Me but also the seventh character alongside six others who form an ensemble to voice the unrelenting energy of Egypt’s capital.
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ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club