Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Film round-up: April 6, 2023
The Star's critic MARIA DUARTE reviews Godland, Leonor Will Never Die, Ride On, and Lola
MISSION: Elliott Crosset Hove in Godland
[IMDb]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Godland (12A)
Directed by Hlynur Palmason
★★★
SET in the late 19th century when Iceland was under Danish rule, this bleak, slow-burning drama explores the differences between the two countries, in their temperaments and their languages as well as religious belief and notions of mortality.
The film, written and directed by Hlynur Palmason, follows a young idealistic Danish priest Lucas (Elliott Crosset Hove) who is sent to a remote Icelandic area to build a church, lead the congregation and photograph the local people.
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