GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Letters from Latin America, May 1 2023
LEO BOIX reviews a novella by Peruvian writer August Higa Oshiro, a powerful book by young Colombian author Lorena Salazar Masso, and three poetry pamphlets, by Puerto Rican Sabrina Ramos Ruben, Venezuelan Eleonora Requena and Brazilian Tatiana Nascimento
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
AN ELDERLY university professor from Lima wanders through the streets of the Peruvian capital after being forced out of his lifelong job. His name is Katzuo Nakamatsu, and like the book's author, he is the son of Japanese immigrants in Peru.
The despondent literature professor quickly descends into an abyss of human consciousness and abandonment as he begins to explore, like a dejected flaneur, not only his deteriorating state of mind but the poor neighbourhoods of Lima and the desperate people that inhabit them at night.
Katzuo’s journey is one of self-discovery to make sense of his Japanese roots and search for the meaning of life, death, and desire.
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CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
FIONA O'CONNOR recommends a biography that is a beautiful achievement and could stand as a manifesto for the power of subtlety in art
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock