MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

Falkland Sound
The Swan Theatre, Stratford-upon-Avon
THIS is a history play, we are told at the opening of Brad Birch’s new work dealing with one of those nasty little wars that have peppered modern history since the end of World War II.
Apart from around a thousand deaths of British and Argentine soldiers all told, and the usual legacy of lifelong physical and mental injuries, the inevitable consequences of any modern conflict, the only significant results were the fall of the ghastly Galtieri Argentine dictatorship and the regrettable resurrection of the equally ghastly Mrs Thatcher.
Birch’s play touches on the political context, with brief gung-ho comments from UK Spitting Image MPs pontificating on a situation they characteristically know nothing, let alone understand anything, about, but is mainly concerned with the effects on a handful of the few thousand inhabitants of the Falklands at the time.

GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead

GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from

GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience

GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy