Mask-off outbursts by Maga insiders and most strikingly, the destruction and reconstruction of the presidential seat, with a huge new $300m ballroom, means Trump isn’t planning to leave the White House when his term ends, writes LINDA PENTZ GUNTER
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Welsh and Scottish culture sector on the rocks
A properly funded arts strategy is needed to create the infrastructure for creative industry to grow, argues BEN LUNN
light and sound performance by public art charity NVA takes place at St Peter’s Seminary in Cardross, Argyll and Bute in 2016. The derelict building was turned into a permanent arts venue after the Heritage Lottery Fund and Creative Scotland pledged £4.2 million of funding
BEN CHACKO speaks with Knesset member OFER CASSIF about rising political violence, the prospects for peace and his continuous ‘silencing by suspension’
The City is leaning on Rachel Reeves to cut welfare spending — when what’s needed is cuts to all the benefits given to the mega rich, corporations and banks to help them not pay or blatantly dodge their fair share of tax, explains BERNIE EVANS
The choice between two Blairites to revamp the tepid centrism of our ruling party doesn’t even come as cold comfort as we wander the city streets suffering from their third decade of austerity and the fifth of wage stagnation, writes MATT KERR
ANN HENDERSON looks at the trailblazers of the Women’s Trade Union League and their successful fight for female factory inspectors — a battle that echoes in today’s workplace campaigns
HENRY FOWLER puts the strike of public-sector workers in New Zealand in the wider context of deteriorating employment conditions throughout the world’s major economies
MAT COWARD looks back at a protest 105 years ago this month, whose reporting by the media bears uncomfortable similarities with demos today
THE situation for the arts continues to get bleaker as Scotland and Wales have added another nail to their own proverbial coffins.
Last week the Arts Council of Wales (ACW) announced its list of organisations that would receive conditional grants, allocating a total of almost £30 million funding from Welsh government and the National Lottery.
The dropping of Mid-Wales Opera and National Theatre of Wales from its list was alarming as they have been vital stepping stones for Welsh artists to get their work tried and tested.
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BEN LUNN alerts us to the creeping return of philanthropy and private patronage, and suggests alternative paths to explore
