To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Throwing stones in glass houses
GAVIN O’TOOLE observes that the call for a new international framework for conflict mediation is fatally marred by a partisan position on the Isreali-Gazan conflict
PLACE OF DISCORD: The UN General Assembly has adopted, on October 26 2023, a resolution calling for an “immediate, durable and sustained humanitarian truce” between Israeli forces and Hamas militants in Gaza and demands a “continuous, sufficient and unhindered” provision of lifesaving supplies and services for civilians trapped inside the enclave
[UN Photo/Evan Schneider]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Negotiating with the Devil: Inside the World of Armed Conflict Mediation
Pierre Hazan
Hurst, £18.99
IN 1929 from his fascist cell, Antonio Gramsci described epochal changes as Europe tore itself apart — an old world was dying and a new one was struggling to be born.
It was “a time of monsters,” the Italian Marxist warned, with chilling prescience.
Pierre Hazan uses this metaphor to situate the key dilemmas facing conflict mediators today in a similarly dark landscape in order to ask how they are to fulfil their role in a deeply divided multipolar world where the very idea of an “international community” is redundant.
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GAVIN O’TOOLE recommends a methodical unmasking of the US media’s complicity in the Israeli genocide, that should be a template for what’s needed to bring Britain’s corporate media to book
RAMZY BAROUD looks at how entire West Bank communities have been shattered, their social and physical fabric deliberately dismantled by Israel to enable its formal annexation
GAVIN O’TOOLE welcomes, and recommends a a candid, evidence-based record of Britain’s role in the slaughter visited by Israel upon the Palestinians
