To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Haud forrit!
HENRY BELL recommends a handbook for comrades to bear the pain of living in the gap between communist dreams and capitalist reality
DIMINISHING NUMBERS?
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Burn Out: On the Emotional Experience of Political Defeat
Hannah Proctor
Verso, £14.99
BURNOUT is now ubiquitous as a term to describe the exhaustion of working too hard in a capitalist world. But, as Hannah Proctor notes in her new book, capitalism does not have the monopoly on this kind of nervous collapse. Burnout is two-sided: it is experienced by those struggling to defeat the system just as much as those struggling to succeed within it.
Proctor first encountered burnout in activist circles, where it was used to describe the physical and emotional exhaustion of those who take part in prolonged political organising, and the psychic distress of those who experience political defeat. These are the objects of this book which elegantly and forensically investigates the historic suffering of revolutionaries and the pain of living in the gap between communist dreams and capitalist reality.
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BEN CHACKO welcomes a masterful analysis that puts class struggle back at the heart of our understanding of China’s revolution
JOHN HAWKINS welcomes the passion, grief, precision and elegance of an eloquent witness of genocide