WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
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Wizard Gizzard
Prolific Australian cult rockers KGLW treated a Liverpool crowd to a typically eclectic gig says EWAN KOTZ
Ambrose Kenny-Smith of KGWL and keffiyeh in Liverpool
[Ewan Kotz]
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
PETER MASON is tickled by a new book and exhibition that mine the rotten anachronism of the monarchy for laughs
A Nazi zeppelin whodunnit, death amidst detoxification, a twistaholic’s delight, and noir fiction for criminals
STEVE JOHNSON salutes the mellifluous tones and clear-minded political message of a uniquely relevant Birmingham-born singer-songwriter
STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
King Gizzard and the Lizard Wizard
Liverpool Olympia
OPENING with a breathtaking suite ripped from their critically acclaimed 2016 album Nonagon Infinity, the band sweated its way through a set of high-octane improvised psychedelic jams, microtones and thrash-metal head-bangers, making the most of every second of their two-hour set.
The Nonagon suite was followed by the debut of the as-yet unreleased Raw Feel, one of the new songs from their upcoming 26th (yes, 26th!) album.
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ANGUS REID is transported by a relentless and double-bass-swingingly great set of punkfolk classics