To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Gizza job!
PAUL DONOVAN recommends a skilful adaptation of Alan Bleasdale’s 1980s epic TV drama
ICONIC: Barry Sloane as Yosser in Boys from the Blackstuff
[Alastair Muir]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Boys from the Blackstuff
National Theatre, London
THIS excellent adaptation of Alan Bleasdale’s 1980s epic drama has great resonance for the insecure working environment of today.
The play, about five men struggling to find work in Thatcher’s 1980s Britain, brings out the desperation of the time but not without a little humour.
James Graham’s skilful adaptation compacts what was a five-part serial TV drama into just two-and-a-half hours.
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