To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Cartoonist
by Dave Medd
[Cartoons by Citizen Chicane and Jay]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Draw me a laughing Word I can chuckle at.
Draw me a joke with halo and wings
I can cackle at. In your great witness,
draw me a holy guffaw from your boots
or the bile of my belly.
Draw me the rape of reverence. Draw me
a man with a beard, a cross and an ark
full of rainbows. Draw me pillars of good
intentions, columns of justice. Draw me
his engines of comic dominion.
Draw me a child whose head your pen
can explode like a diagram.
Draw me a Laugh
I can strap to my wheels like a butterfly.
Draw me a heretic smile whose punchline
squibs flame like Roman Candles.
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