To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Telling their own story
PAUL DONOVAN applauds a good piece of political theatre that offers a glimpse of how badly children have been treated in the UK
ON MESSAGE: The cast of The Children's Inquiry
[Alex Powell]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The Children’s Inquiry
Southwark Playhouse, London
THIS vibrant musical production from theatre company Lung offers a glimpse of how badly children have been treated in this country over the years.
The Children’s Inquiry, written by Helen Monks and Matt Woodhead, focuses on the stories of four children. Jelicia is viewed as a social worker’s success story, Frank has been through eight foster homes, while Angelica and Amber end up in care, after their parents are deported.
The individual stories fit against a backdrop of the fate of children over the past 150 years.
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