GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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The after effects of rape
SIMON PARSONS salutes drama that registers how the impact of the sexual assault ripples out through every element of a family’s existence
Miles Molan, Rosie Day and Tok Stephen in When It Happens to You
[Mark Douet]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
When It Happens To You
Park Theatre, London
AMERICAN author Tawni O’Dell’s deeply personal memoir about the rape of her grown-up daughter Esme and the shattering after-effects on both her and her children must have been an important cathartic exercise when first performed in New York, with O’Dell playing herself, but risks being too intimate and personalised to fully work on stage.
With Amanda Abbington at the heart of the European Premiere taking Tawni’s role as Tara, Esme’s divorced mother, the play’s simple narrative style becomes more than just a dramatic reading as the enduring impact of the sexual assault ripples out through every element of the family’s existence.
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