To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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‘The face-off between Trump and Harris is going to cause a racial chasm in this country’
John Kendall Hawkins speaks to black US poet FREDERICK JOSEPH, author of We Alive, Beloved
Poet Fred Joseph
[Dave Alvarez-Villalpando]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The title of your new book is We Alive, Beloved. What’s so important about We?
We have a very “I”-focused society and I just want us to get back to understanding that if we don’t do this thing called life-as-a-village, we’re going to fail. We were not meant to be alone. That is not the experience of humans or of any living creature. Everything has to be connected in order to live to its fullest potential.
One recurring image in your new volume that struck a chord with me was The Black Hole. Can you explain?
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KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
