To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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The folly of atomic power
RON JACOBS recommends a frank and honest assessment of the corrupt and profit-hungry nuclear industry
CHEAP PLUTONIUM FOR THE ARMS INDUSTRY: The South Carolina Electric & Gas (SCE&G) VC Summer Nuclear Station Unit 1, October 2013
[DJSlawSlaw/CC]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Nuclear is Not the Solution: The Folly of Atomic Power in the Age of Climate Change
MV Ramana, Verso, £20
THIS past June, a couple of my sisters and I drove from California to Minnesota. One of the states we traveled through was Idaho. We gassed up in a town called Atomic City, which advertised itself as the first city in the United States to have nuclear-powered electricity.
This town is inside what grounds of the Idaho National Laboratory, an 890 square mile research site run by the Department of Energy together with various commercial and military interests. Its website currently touts its scientific expertise and its mission devoted to carbon-free nuclear energy, alternative energy and military security.
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