To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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A Little Corner of an English Pub
by Harry Gallagher
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Come warm your chap bitten skin
by the logs-on-the-fire picture
on the wall of this old bank,
picked up for a knockdown sum
by a cheap chain pub firm,
selling nostalgia and piss
on the back of their staff
and their cheapaschips lives.
Take your place in the corner,
stage whisper how things
were better in the old days,
when Summers ran endless
and England was English
and who won the cup anyway?
And how you don’t really care,
but why don’t they integrate?
Mind, they’re all the fucking same
but you can’t say that anymore.
All these PC do gooders,
trying to tell us what to think.
Well listen Abdul, this is England.
Engerland! Engerland! Engerland!
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