GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
The emancipatory eye
JOHN GREEN marvels at the rediscovery of a radical US photographer who took the black civil rights movement to her heart
Consuelo Kanaga. Young Girl in Profile, 1948.
[© Brooklyn Museum]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Consuelo Kanaga – Catch the Spirit
Drew Sawyer, Thames & Hudson, £50
Consuelo Kanaga. Fire, New York, 1922. Credit: © Brooklyn Museum
FEW will have come across the name Consuelo Kanaga (1894–1978), although she was one of the most influential US photographers during the first half of the 20th century. She suffered the same fate as so many women artists: consigned to the museum of amnesia. It is therefore cause for celebration that T&H, together with the Brooklyn Museum and Mapfre have collaborated on this volume dedicated to her work and helping rescue her from oblivion.
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