MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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Sci-fi reviews with Mat Coward: October 2024
From the conundrums of a parallel London to a rewilding project in rural Ireland via a disturbing post-plagues world mystery thrives
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
I’M NOT sure the Guild of Literary Critics include it in their list of approved descriptions, but really, “gorgeous” is the only word that makes sense of Alan Moore’s The Great When (Bloomsbury, £20).
It’s one of those lavish cakes of a book which is so full of plums — hilarious and horrific, touching and obscene, surreal and familiar — that you can’t help gorging yourself on it.
It belongs to the small but much-loved subgenre of “hidden London” fantasies, in which another version of the city overlaps or intersects with the one we know.
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