To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
POETRY is the most democratic form of literary expression — it only takes a pencil, a scrap of paper and/or a voice to create a poem of a few lines or stanzas. It won’t necessarily be good poetry but that is another issue.
Unfortunately, many people in Britain still today dismiss and ignore poetry. As socialist poet Adrian Mitchell memorably encapsulated it: “Most people ignore most poetry because most poetry ignores most people.”
Smokestack Books has spent two intensive decades trying to disprove this assertion. Its models were Curbstone Press based in the US and the French Le Temps des Cerises, publishers of “la poesie d’utilite publique” — poetry in the public interest.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
At the very moment Britain faces poverty, housing and climate crises requiring radical solutions, the liberal press promotes ideologically narrow books while marginalising authors who offer the most accurate understanding of change, writes IAN SINCLAIR


