Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Album reviews with Ian Sinclair: November 18, 2024
New releases from Jennifer Castle, Primal Scream and Keith Jarrett
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Jennifer Castle
Camelot
★★★★
RELEASED in 2020, Jennifer Castle’s glacially paced Monarch Season, recorded alone in her kitchen looking out over Lake Erie, was the perfect soundtrack to the isolating Covid lockdowns.
Four years later and the Canadian singer-songwriter’s new record broadens her sonic palette beyond the restrained contemporary folk she is known for, with several tracks like Lucky #8 getting close — whisper it — to rocking out. With the set supposedly a commentary on middle age, she’s helped out by a cast of talented musicians, including Cass McCombs on various guitars and Owen Pallett writing the string arrangements.
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