To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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'My Dad didn't have many singing records, except for songs about independence and Amilcar Cabral, father of our nation'
Chris Searle speaks to singer CARMEN SOUZA
Carmen Souza
[Courtesy of Galileo Records]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
EARLY British imperialists like Francis Drake and Walter Raleigh kidded history by profiling themselves as “explorers.” Here’s a brilliant singer with her roots in Cape Verde, who, in her songs, often with an incisive wit and passion, explores their brutal pathfinding and exposes the origins of 400 years of colonial oppression.
Carmen Souza was born to Cape Verdean immigrant parents in Lisbon in 1981. Her father worked in shipping cargo, her mother was a housekeeper.
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