Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The horrible Hubbards
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence
DEADLY DYNASTICS: Mark Bonnar, Steffan Rhodri, and Stanley Morgan in The Little Foxes
[Johan Persson]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Little Foxes
Young Vic, London
LILLIAN HELLMAN’s classic The Little Foxes, currently showing at the Young Vic, has the potency of one long, tightly funnelled, exhaled breath. And it reeks of the 20th century when it was written, and of an America still carving out its identity against a backdrop of dreams.
The play almost serves as an allegory, exhibiting the obsessions and fundamental rot at the country’s heart. And it’s a moral tale, charting the terrible consequences of money obsession and the kind of dynasty-building that courts and protects affluence.
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MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
MARY CONWAY admires an accomplished drama that explores the consequences of a fatal punch on a desolate housing estate
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale