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Mexico’s Soviet kiss
GAVIN O’TOOLE recommends a book that examines the ‘invisible’ cultural cross-fertilisation that has bypassed the globalisation peddled by the West
Lolita Torres in A fiance for Laura, 1955 [Public Domain]

Romancing Yesenia: How a Mexican Melodrama Shaped Global Popular Culture
by Masha Salazkina
University of California Press, £25

WHY would a mother in the Soviet Union of the early 1960s as it clawed its way out of the darkness of Stalinism into a new dawn name her daughter Lolita — and not Audrey, Marilyn, Lucille or Debbie?

After all, the latter were setting aflame the passions of the Western world as Hollywood starlets became the face of a new form of cinema extending US cultural imperialism and the “American way of life” across the globe.

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