CRIME stories have been a fixture at Christmas for well over a century now, and Death Comes At Christmas (Titan, £19.99), edited by Marie O’Regan and Paul Kane, is one of the best anthologies of its type I can remember.
There’s not a single weak entry among the 18 pieces by as many authors, and several real winners, with a good variety of tone and type, from locked rooms reminiscent of the Golden Age to forensic techs wearing bloodstained paper suits.
I won’t try and pick out highlights, for fear of slighting the others, except to say that Alexandra Benedict deserves a Best Punning Title prize for The Midnight Mass Murderer.
Timeloop murder, trad family MomBomb, Sicilian crime pages and Craven praise
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz



