Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The drama of a woman’s life
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
RAVISSANT! 12. Romola Garai, Gina McKee, Deborah Findlay, Harmony Rose-Bremner and Anjli Mohindra in The Years
[Helen Murray]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Years
Harold Pinter Theatre
THE YEARS opens in the West End following an almost universally rapturous reception at the Almeida last August. Now with the same cast, same director and same inspirational rendition, it has to be a winner.
The play – based on the literary masterpiece by Nobel Prize-winning Annie Ernaux – follows the life of one Annie, born in 1940 in France.
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MARY CONWAY applauds a brilliant theatrical adaptation of Sam Selvon’s classic 1950s novel of oppression, betrayal and resilience