To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Latest editorial
Outstanding blend of piano, flute and brass
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
Florian Weber in concert at Stadtgarten Koln, Germany, 2012
[Gerhard Richter/CC]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Florian Weber
Imaginary Cycle
(ECM Records)
THIS is music for piano, brass ensemble and flute written by the German composer and pianist Florian Weber: an unusual line-up that makes for a bold and exciting sonic journey.
Weber on piano is joined by a group including four euphonium players, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard on the little used tuba “serpent” instrument.
Together they perform a work that blurs the line between where improvisation ends and composition begins. The cycle is spread over four main sections: Opening, Word, Sacrifice and Blessing, all bearing ritualistic connotations.
Similar stories
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
New releases from Kennedy Administration, Melanie Pain, and Afton Wolfe
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF