GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
The eloquence of everyday objects
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Daniel Lind-Ramos, Ensamblajes, Nottingham Contemporary
[Jade Vowles]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Allan Weber, My Order
★★★★★, Nottingham Contemporary
Daniel Lind-Ramos, Ensamblajes
★★★★★, Nottingham Contemporary
DONALD TRUMP’s philistinism is apparent in his fondness for self-aggrandising kitsch, but the Kennedy Center putsch — in which Trump unilaterally installed himself as chair of Washington DC’s temple of the fine arts — suggests an understanding that culture can shape the national psyche.
Perhaps we should expect further co-option of performing arts institutions in support of the MAGA cause. Will the list of Trump-approved artists be limited to Confederate flag flaunter Kid Rock, swastika T-shirt pusher Kanye West and deportation cheerleader Ted Nugent?
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