To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Two Man Show
West Yorkshire Playhouse, Leeds
THREE-QUARTERS of the way through Two Man Show, Abbi Greenland observes: “You need to be specific if you want people to understand you,” an observation RashDash apply only loosely to their latest, high-energy show.
An examination of masculinity and patriarchy —Greenland and fellow performer Helen Goalen assume the roles of brothers John and Dan throughout — the show has flashes of sheer brilliance and moments when audience members are left scratching their heads in confusion. Quite possibly, that's what the duo and musician Becky Wilkie are hoping to achieve.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
SUSAN DARLINGTON swoons in the presence of a magnetic frontman
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston


