MIKE COWLEY relishes an exhibition that reminds us, in the teeth of establishment pushback, that lasting change always begins in workplaces, communities and the street
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Uncanny echoes
ALAN MORRISON hears the tradition of English Modernism in an unusually accomplished debut volume of poetry
Rene Magritte, Les Graces Naturelles (The Natural Graces)
[Bibliotheque Nationale de France/CC] 
This show at the V&A is a rich, thought-provoking exhibition, if long overdue suggests
LAUDAN NOOSHIN
ED RAMPELL is disappointed by the confusing results of embedding cameras amid a Ukranian platoon
KEVIN BRYAN reviews Soul 66, Suzy Thompson, and Butterfield Blues Band
With reservations, RON JACOBS recommends a deep dive into the nature, history, and mindset of US intelligence
JOHN HAWKINS wrestles with the anti-humanist fantasies of techno-feudalist thinking
MICHAL BONCZA and MARIA DUARTE review 2000 Meters to Andriivka, Savages, The Legend of Ochi, and The Naked Gun
New Famous Phrases
Daniel Hinds, Broken Sleep Books, £12.99
SINCE Smokestack Books closed its vital operation at the end of last year, after a prolific two decades, there is now a gaping space in the publication of working-class poetry. Broken Sleep Books is one established press which specifically specialises in publishing working-class poets.
Daniel Hinds hails from Newcastle, has been published in numerous notable journals, won prizes and acquired various commissions, and Famous New Phrases is his debut volume. Two different critical quotes accompanying the book each using the term “word-hoard” (from Old English “wordhord”) to refer to Hinds’s distinctive vocabulary. One in particular is “brae” which is a Lowland Scots term for the brow of a hill.
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ALISTAIR FINDLAY welcomes a collection of essays from one of the cultural left’s most respected speakers and activists
GORDON PARSONS negotiates an exhaustive biography of WH Auden that explores his growing detachment from England