Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Translating fiction: a moral case for AI?
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
FOREVER BEYOND AI? Garcia Marquez mural in Aracataca, Columbia: “Wherever I am in the world I am Latin American, but I always feel nostalgia for my homeland, Aracataca; and when I come back I find - in between nostalgia and reality - the raw material of my work.”
[Tim Buendia/CC]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
NEWS that Dutch publishing house Veen Bosch & Keuning (VBK) has confirmed plans to experiment using AI to translate fiction has stirred up a thought-provoking debate.
Some believe it marks the beginning of the end for human translators, while others see this as the opening up of a new world of possibilities to bring more literature to even more people. These arguments are becoming increasingly vocal as the advance of AI accelerates at an ever-increasing rate.
Fiction translation, with its intricate language, emotional undertones and nuances, has traditionally been the domain of skilled human translators.
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JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces
ANNA SERGI recommends the first UK exhibition of a remarkable female photographer who studied the impact of mafia violence on everyday life
MARGARET HEFFERNAN draws attention to a new report on the conditions of financial precariousness facing visual artists