Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Toronto International Film Festival 2019
The world's biggest film festival was noticeable this year for works addressing acute social and political issues
Masterful: Martin Eden
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THE TORONTO International Film Festival is mega — over 300 films were screened this year — and among them were debut features and documentaries that caught the eye, among them Workforce from 29-year-old Mexican director David Zonana.
Highlighting the catastrophic consequences of class inequality and the violation of workers’ rights, it tells the story of young construction worker Francesco, who seeks justice when his brother dies in front of him on a luxury-home building site.
His widowed sister-in-law is told she will get no compensation from the accident and the tragedy is the starting point for a fierce and meticulous examination of cycles of economic abuse in what's a heartbreaking and hard-hitting human story.
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