MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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There's good in everything about this As You Like It
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
As You Like It
Regents Park Open Air Theatre, London
THE SHAME of this wonderful show is that it’s only scheduled until July 28. Joyful, playful and delightfully funny in all the right places, it deserves far greater exposure than just a three-week run.
There are fabulous performances everywhere you look, with a new-age, dreadlocked Maureen Beattie taking full advantage of her role as the wise, curmudgeonly Jaques and Danny Kirrane and Amy Booth-Steel playing the overwrought lovers Touchstone and Audrey to great comic effect.
Edward Hogg is excellent as an irretrievably lovelorn, idealistic Orlando and Me’sha Bryan is an alluring, sweet-voiced focal point for the musical interludes, well directed and arranged by Phil Bateman.
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