STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
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Theatre Review: dressed
Surviving abuse: Lydia Higginson
[Linda Crisafulli] 
JAMES WALSH takes advantage of an evening of comedy snippets to pick out which clowns will make it in Edinburgh
MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity
MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
New releases from Paul Weller, Wet Leg, and Dino Saluzzi
dressed
Battersea Arts Centre
London SW11
VICTIM, survivor, or both? That’s the perennial query when talk turns to those who’ve been through sexual assault and it’s the focus of dressed, 60 minutes of ethereal brilliance which dispenses with labels, reaffirms the nature of recovery and reminds that deep wounds can heal.
There’s flawless choreography, some haunting musical interludes, a little knockabout and daftly surreal humour, along with a prosaic justification for the piece’s creation.
The initial focus is on costume designer Lydia Higginson, 19, when she was held at gunpoint and sexually assaulted during a robbery in a house where she was staying. She suffered post-traumatic stress disorder as a result, gave away all her shop-bought clothes, retreated to an attic and made an entirely new wardrobe for herself.
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