To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
OVER the last few years I’ve noticed it’s become a thing for poets to read from mobiles. Not me, I’ve still got the sort of Nokia that any self-respecting lag can smuggle round the nick. Not only that, I need bins to read the screen.
While I have the older person’s correct disdain for technology, it’s not just that which riles me. People are face down in mobile phones wherever I go, all the time. Stage space just isn’t established when you see one on stage. I don’t think you’re taking the time to talk to an audience when you’re mumbling into a screen. I don’t think you’ve taken care and precision over your writing when you’re scrolling through your phone, though I do like the irony that the scroll is an outdated form of reading.
One result of so much information being online is that hardly any of it is believable. At least a sheet of paper or a notebook is a physical thing that shows there’s some substance to your work, or something to be challenged if not.
Two inspring books — that’s your New Year’s musing from me on January 2 2026
MATT KERR charts his bike-riding odyssey in aid of the Royal Marsden charity and CWU Humanitarian Aid
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet


