GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
The Cherry Orchard
Theatre Royal Windsor
USING much the same cast that put across a rather confused Hamlet at this venue during the summer, director Sean Mathias has come up with a considerably more satisfactory Cherry Orchard, thanks in part to the addition of two stage heavyweights, Francesca Annis and Martin Shaw.
Annis is enthralling as the fragile, flighty aristocrat Ranyevskaya — exasperatingly unwilling to do anything about her fate as the family estate is sold from underneath her, yet so sweet and loveable that it becomes impossible to condemn her for too long.
Partly this is because Annis also imparts Ranyevskaya with such subtle strength that we come to see the old lady as a great survivor, better adjusted to the oncoming rush of change than many of the self-deceiving procrastinators who surround her.
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MEIC BIRTWHISTLE relishes a fine production by an amateur company of a rousing exploration of Wales' radical history
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football



